2015-2025
In Do you want me to come? I visit these traditional cruising parks in the city of London and examine their social activity, to see if they remain a place of social change or have become something else. Making myself known in the cruising space, I capture a plate with my 4x5 camera to preserve this place for posterity.
My work engages and explores the boundaries of photography as a critical practice to combat existing social power structures in public and private spaces, with an emphasis on the creation of a new visual language to portray the non-visible space. A question that I am currently trying to answer with my practice is, on the one hand, how do the evolving politics of my own community (LGBTQI+) change how we interact and cruise? And on the other hand, how do the effects of normalisation and social cleansing erode the cruising grounds?
I use photography as a tool to try to portray this invisible and ever-changing space, to preserve it against extinction. Eventually, it is as if these places were specimens to be encased in a transparent box, safeguarded to be seen by future generations. The lack of verbal interaction in the cruising act gives way to a distinct type of non-verbal communication, one based on gestures, looks and body language: a semiotics of cruising and its reflection on photography.